If you were to read Cathedral
by Raymond Carver and The Chrysanthemums
by John Steinbeck without a preset mindset of looking for or expecting symbols
these short stories could be very confusing. Each story ends in such a way that
the reader has to really think about what they just read and how everything
fits together. In Cathedral, Raymond
Carver uses symbols in his story, such as blindness and the cathedral at the
end of the story. In The Chrysanthemums, John
Steinbeck also uses symbols, such as Elisa’s gardening costume and the
chrysanthemums. Both of these stories use of symbols helps to add depth and
give a better understanding of the story as a whole.
Carver wrote in such a way that the reader did not gain a full
understanding of the symbols until the stories end. When looking at the blindness
of Richard throughout the story, it is easy to assume that it is a symbol. This
is seen in the first sentence of the story when it says, “This blind man, an
old friend of my wife’s, he was on his way to spend the night.”(174). The issue
is that you are unable to understand what it is a symbol for until the end of
the story. It is seen that blindness symbolizes that just because you can see does
not mean you have sight. It is sight that does not use the eyes but goes beyond
the visual.
Blindness ties in well with the next symbol, which is the cathedral. The cathedral
symbolizes the process of realizing a lack of sight and then gaining true
sight. The narrator tells Richard, “You’ll have to forgive me … But I can’t
tell you what a cathedral looks like. It just isn’t in me to do it. I can’t do
any more than I’ve done…The truth is, cathedrals don’t mean anything special to
me. Nothing.”(182). This shows that physically seeing something or someone does
not lead to understanding. The cathedral representing true sight and understanding
can be seen in the last few lines of the story when the narrator says, “My eyes
were still closed. I was in my home. I knew that. But I didn’t feel like I was
inside anything. ‘It’s really something,’” (183).
John Steinbeck’s use of symbols in The
Chrysanthemums was easily identifiable. The first symbol was Elisa’s
gardening costume. The costume showed Elisa was a very strong woman. All of the
clothing Elisa was wearing was masculine and illustrates a lack of feminine qualities.
One part of her costume that is used a lot were her gloves, “She wore heavy leather
gloves to protect her hands…” (416). Later Elisa, “…took off a glove…pulled on
the gardening glove again.” (416-17). Her feminine side comes out when she
starts to take parts of the costume off, gloves and the hat. Another symbol was
the chrysanthemums themselves. They represented all that Elisa has joy and happiness
in. When the tinker brings up the chrysanthemums, “The irritation and
resistance melted from Elisa’s face…Elisa’s eyes grew alert and eager…”(418-19).
These symbolized what Elisa truly wanted her life to be full of.
These stories would lose a lot of the strength behind their meanings
without the symbols. The stories could not leave as much of an impact on the
readers if they did not have the symbols. They would have been like reading stories
in a newspaper with no deep meanings behind them.